*Insert some witty/stupid quip about being “your friendly neighborhood movie critic” just to regret it immediately afterward* Let’s just get this thing started. This coming-of-age superhero adventure from director Jon Watts is the sixteenth overall installment in the ever-expanding Marvel Cinematic Universe. It has since nearly doubled its $175 million budget worldwide. The second reboot of the titular character within 10 years, Marvel Studios and Sony finally worked out a deal in 2015 that allowed Spider-Man to appear in the MCU. Sony still has the distribution rights and handles the marketing but Marvel Studios is given complete artistic freedom to do with the character as they please. A couple months after the events of Civil War, Tom Holland returns as our friendly neighborhood web-slinger struggling to juggle his superhero passion with high school. When a new villain named the Vulture rolls into Queens and what’s left of the fractured Avengers team is nowhere in sight, only Spider-Man can take him down. I loved the Sam Raimi Spider-Man Trilogy so much as a child and still do today. (Yes, I even enjoy Spider-Man 3) They inspired me to want to be a superhero at a young age. And while Marc Webb’s 2012 reboot was an enjoyable and more realistic take on the iconic character, I didn’t feel like it was necessary. The Amazing Spider-Man 2, meanwhile was a disappointing, wholly underwhelming and rushed sequel that desperately tried to cram in as much world-building as possible. With that background in mind, I walked into Jon Watt’s new version of this character, my favorite comic book superhero of all time, with some trepidation. He may have been the best thing about Captain America: Civil War, but I was not sure how they could possibly reboot him with ANOTHER origin story in only 10 years. But the fact that the single most successful film franchise of all time had commandeered control gave me a bit of hope, and I was glad I had it. Although his actual breakout role was in J.A. Bayona’s The Impossible from 2012, this role was the one that landed Tom Holland on the map of American cinema. At 20 years old, he is the youngest actor to ever portray Peter Parker/Spider-Man but he also may just be the best, even beating out Toby Maguire and the 90’s animation. His portrayal captures everything that Stan Lee had envisioned for the character when he was first sketched in the comic books decades ago. His introduction consists of a clever home video he made of the airport battle scene from Civil War, which establishes his innocence and wants to fight alongside the heroes he grew up loving. While Jacob Batalon, Tony Revolori, and Zendaya do great work as his best friend, high school rival, and classmate, respectively, Marisa Tomei wasn’t given nearly enough to say and do as his guardian Aunt May. While she is more attractive and naturally younger than her counterpart in the comic book, she just felt kind of wasted. But Michael Keaton totally owned it as the supervillain Vulture. The 5-minute cold open is dedicated to building his character, bordering the line between evil and misunderstood. You understand why he’s doing the things he’s doing, becoming the second-best villain in the MCU behind only Tom Hiddleston’s Loki, and proves that some of the best antagonists are the ones with real and clear motivations. But be warned; his suit is all black, and some of the nighttime scenes involving him are hard to follow. Michael Giacchino returns to the Marvel Cinematic Universe for the 2nd time after 2016′ Doctor Strange to give the musical score. Opening with an orchestrated version of the classic Spider-Man theme song from the cartoons, it builds some large sweeps of strings and horns, reminiscent of Danny Elfman’s theme 15 years ago. Since it’s centered on a teenager, the soundtrack also had some fun selections of millennial and 2010’s music that matched well with most scenes. At the very end of the movie, it goes from a surprising last line of dialogue to a smash cut to the end credits sequence with a crazy playing. It was downright awesome and got a big laugh out of me. But what I love most is that it apparently doubles as both a superhero adventure and a high school teen drama. Peter Parker is struggling to fit in at his small school in Queens and simultaneously take care of his single aunt. Yes, it’s just Aunt May. This skips the traditional origin story because let’s face it: we all know how it happens at this point and we don’t want to see Uncle Ben getting murdered again. At the same time, Spider-Man is the new kid on the block trying to prove himself to Iron Man and other Avengers. Unfortunately, he’s so young and naive that no one really takes him seriously, with Tony Stark being his only mentor. At one point, he tells the web-slinger, “If you’re nothing without the suit, then you don’t deserve to have it.” Even though it can’t reach the heights of the original Sam Raimi trilogy, Spider-Man Homecoming is a hilarious, briskly-paced adventure featuring a faithful representation of one of Marvel’s best heroes. I had middling expectations to start off and walked out with a great big smile on my face. Especially because the obligatory after-credits scenes were amusing and cleverly set up future installments. And now, I genuinely look forward to what they’ll do with Tom Holland.