Oh, come on. If I met someone as awesome and adorable as Emily, would I abandon my family and traditional ways of life just for her? You betcha. Produced by comedy legend Judd Apatow, this romantic comedy premiered to great reviews and accolades at the 2017 Sundance Film Festival before Amazon released it on June 23rd, 2017. It has earned back $25 million at the box office and rankings among several best-of-the-year lists by critics already. The R-rated story stars Kumail Nanjiani as a caricatured version of himself in a script that was co-written by him and his wife Emily V. Gordon. He’s a struggling stand-up comedian who is taken with a young white girl in Chicago. Coming from a conservative Pakistani family, he has to lie to them in order to keep them happy and also deal with tough love when Emily is put into a coma. Now he has to interact with Emily’s parents and wrestles with what he actually wants to do with his life. The romantic comedy has always been something of a hit or miss for me. For every 500 Days of Summer, we also get a stinker starring Katherine Heigl and Gerard Butler. If there were one genre in film that could be categorized as being the “easiest,” then I guess rom coms would probably take the cake. That being said, I am always willing to branch out and try new things, and in the case of The Big Sick, all of the advertisements promised me that it would be different. Thank God I listened. Previously best known for the HBO comedy Silicon Valley, Nanjiani is a wonderful discovery in this movie. He has a tender and wholesome presence that is punctuated by a rib-cracking sense of humor. He was funnier than Bo Burnham in this movie, which says something. One of his funniest moments is when he describes to an open-mic audience the “hierarchy” of jobs in Pakistan, with doctors at the top and comedian at the bottom- even below ISIS. Zoe Kazan is great as Emily, sharing great chemistry with her co-star and a strong personality. I mean really, anyone would ditch their loved ones just to spend time with her. Surprisingly, though, Ray Romano and Holly Hunter shine as Emily’s parents in their best roles in years. The only thing either of these two has done of note in the last 15 years were fun stints in animation; Hunter in The Incredibles and Romano in Ice Age, respectively. But here they give great performances as the parents, capturing the realism of a moment like this. In fact, I think it would be a fair bet to say that Romano qualifies for a Best Supporting Actor nomination. As far as technicality goes, there’s not much to say here. The soundtrack is filled with contemporary songs that feel appropriate to the moment. And some of Michael Andrews’ minimal score is fitting for some of the more emotional moments in the hospital. Most of it is just a bit of ambient strings and synthesizers. But what made me feel a bit warm inside was that the bits centered around the comedy club Kumail spends his nights at really felt real. Just the way the cinematography was shot and the atmosphere and even some of the hilarious routines made it feel as though I were sitting at a table watching an open-mic night. Kevin Hart tried to do this last year with the theatrical release of What Now? but it just came off as tacked on and commercialized. Here, director Michael Showalter uses those moments to help build characters and their quirky personalities. Where the film peaks, though, is the second act of the story when Emily gets sick and sent to the hospital. Normally, a romantic comedy, no matter how enjoyable or subversive it may seem, will ultimately subject to a formulaic structure that we’re all used to seeing. Guy and Girl meet for the first time, Guy and Girl hit it off, Guy and Girl have a nasty emotional fight, but in the end Guy and Girl get back together and live happily ever after. And this being a Judd Apatow production, it certainly seems like that’s how it’s going to go down. But the second act of The Big Sick dumps that structure down the drain and offers something highly original. It shifts the focus of Emily and Kumail over to Kumail and Emily’s parents and his parents as well. Even in 2017, cross-cultural relationships are still considered controversial, no matter how progressive your home may proclaim itself to be. Ever since 1967’s Guess Who’s Coming to Dinner, many auteurs of cinema have been trying to push the idea of interracial couples into the mind of the modern population. Even 2017’s Get Out had a similar sentiment on this issue, though that film had a bit of a more out-there premise that shook its head at realism. But even still, this film touches on that concept rather brilliantly. Kumail comes from a Pakistani from, a people who have the unfortunate distinction in America of heralding from the Middle East. While there are terrorist jokes abound in here, it mostly focuses on his unconventional home life. Arranged marriage is a common practice and you can’t argue against your family’s way of life. You have to become a doctor or a lawyer, and if you fail, you’ll be thrown out of the family and have all contact cut off from you. That’s tough. It’s not strictly speaking the best movie of the year, but The Big Sick is certainly the most original romantic comedy in years and one that packs some great laughs. It’s funny, relevant, different, and filled with some nice feel-good moments. What more could you want?