Yeah… I can’t really think of any jokes right now. This biographical coming-of-age war drama premiered at the city of Siem Reap, eventually making to the fall festival circuit. It got a positive reception at the 2017 Toronto International Film Festival before being released on the streaming giant Netflix on September 22nd. Although they don’t release the number of people watching, it’s believed that anticipation was building up as it was being marketed as Beasts of No Nation set in Cambodia. Produced and directed by Angelina Jolie, the film has been adapted from the memoir A Daughter of Cambodia Remembers by Loung Ung, who also had a part in writing the screenplay. The story focuses on Loung Ung as a 5-year-old child in Cambodia, just as the United States Army pulled out of Vietnam. After the radical Khmer Rouge take over the country in 1975, she is trained as a child soldier while her family of 6 siblings and weary parents are forced out of their city home to live in a labor camp. Against her will, she is forced to take part in a 4-year regime that results in the death of over 2 million Cambodians. It’s clear how authentic Jolie wanted to be with this subject matter. There is not a single big name Hollywood star to be found on the casting list, nor is the film spoken in English for our own convenience. The film was shot on location where the co-writer had been to, all of the actors are real Cambodian citizens, and the film is spoken entirely in the Khmer Cambodian language. Relax, fellow Americans, it has been translated into English subtitles so that you can understand the plot. It’s pretty bold for someone as famous as Angelina Jolie to make a movie that rejects Hollywood conventions. She tried this previously with films like Unbroken and In the Land Of Blood and Honey. And while neither one is particularly amazing, this Netflix Original riveted me from scene one. Virtually unknown for the moment, I hope that young Sreymoch Sareum gets more recognition as a child actor. The entire film is told through her innocent eyes, unable to comprehend the true evil unfolding all around her. This arguably makes the tragedy of it all even more depressing. Looking over her shoulders for the first half of the picture is Kompheak Phoeungas and Socheta Sveng as Loung’s concerned father and mother, respectively. They present an interesting dichotomy, as the father is a disgraced army soldier hiding his loyalty, whereas the mother is miserable and depressed by their situation. Yet the two of them try their best to remain positive and hopeful for their children, the only logical thing to do in a situation like this. As mentioned earlier, there are no Hollywood big names filling out the rest of the cast. Every single actor, whether they are primary characters or one of hundreds of extras, was from Cambodia. And not a single line of dialogue is spoken in the English language, which is arguably even more impressive. Hopefully, this opens up a floodgate of possibilities for more chance of diversity in the film industry. But since this film was released on a streaming network, odds are that they’re probably not going to take it very seriously. But in a technical aspect, this film is quite accomplished. Anthony Dod Mantle frames the camerawork in a wholesome and naturalistic way for the scenes. Shot on location in various villages in Cambodia, the realistic lighting combined with the beautiful nature is something to behold. So that when some of these places start coming down, we feel even sadder and want Loung to get out of there even more. But since this is told entirely through her perspective, the film is edited by Xavier Box and Patricia Rommel to feel confusing to us viewers. We get strong implications of what is going on with the Khmer Rouge, but the film cuts away from explicitly showing us everything. In a way, this made things even more terrifying because, unless you’re already familiar with the story, it feels like anything could swoop in from out of the camera and take out our protagonist. Marco Beltrami is composing the musical score for this picture. While not necessarily his best soundtrack to date, it does feature his signature style of percussion like bass drums making a huge impact. Literally. At almost all times, there’s a hit that permeates in even some of the more quiet scenes. But he doesn’t succumb to emotionally manipulative strings common in films like these made by Hollywood. Instead, he brings out genuine feeling, even allowing us to tear up near the end when there might be light at the end of the tunnel. However, similar to Beasts of No Nation, I do not feel like this film is one that can be revisited more than once. I acknowledge this as one of the year’s best films, and will proudly tell anyone to watch it. But there are just too many scenes that are difficult to watch for me to recommend multiple viewings. The fact that this is based on a true story makes that pill even harder to swallow. Even so, First They Killed My Father is an empathetic look at evil through the eyes of innocence. Please seek this film out on Netflix and watch it. In this day and age, with atrocities regularly on the news, the subject matter has only become more pertinent. Mourning is the first step. Remembering is the next.