Have I ever told you guys that I’ve thought about becoming a film director someday? Well, this movie has given me even more of an incentive to pursue that dream. That’s one of the few things we can thank The Room for. This biographical comedy-drama received a standing ovation at the premiere of its rough cut at South By Southwest in March. After another screening at the Toronto International Film Festival, it released worldwide on December 1st, 2017, where it has already earned back its $10 million budget. Based on the tell-all nonfiction book by Greg Sestero and Tom Bissell, Seth Rogen’s production company set up film rights with James Franco in place to star. Despite the real-life subject wanting Johnny Depp for the lead role, Franco and A24 replicated the marketing strategy by having an actual billboard on Highland Avenue where they would call him and he’d ask them to see his movie. Beginning in 1998, the true-story stars the director’s younger brother Dave as an aspiring actor named Greg Sestero who befriends a fellow student Tommy Wiseau. After the two move to Hollywood and struggle to find any work, they resolve to make their own movie, The Room. And as the production unravels, their friendship and passion for acting is tested by a number of blunders which lead to the creation of one of the worst movies ever made. For those wondering, I have seen The Room. I caught it on cable once a few years ago and kept thinking the entire time, “What the hell is this?” It earns its reputation as the epitome of “so bad, it’s good” because, despite its terribleness, I just couldn’t look away. I will say that the only way to truly enjoy it is with a crowded theater where attendees know the movie backward and forwards and throw spoons at the screen. But the idea of a movie about the making of that movie? That’s like a cinephile’s wet dream come true. Do you need to have seen The Room in order to appreciate The Disaster Artist? No, you don’t. But you should definitely see James Franco’s new film because it’s highly entertaining. You can tell his deep passion and respect for the subject at hand. In fact, some scenes from The Room, such as the rooftop or the flower shop sequences, are recreated exactly as they were, right down to the framing of the shots. But also because Tommy Wiseau is one of the most mysterious and eccentric figures in the history of the film industry. No one, not even Sestero, knows anything concrete about him except that he apparently has a bottomless pit of money. And screenwriters Michael H. Weber and Scott Neustadter, previously scribes for The Spectacular Now and The Fault in Our Stars, find the empathy and the human being inside of him. At least, as much as they could. The younger Franco Dave finally finds himself a worthy role as Sestero, a good-hearted yet quiet actor. Having him play Greg was a stroke of genius because he manages to have great chemistry with his older brother and is the only one in Hollywood willing to give him a chance. But I’m sorry, no matter how many celebrities make a cameo in this film (I counted at least 45) none of them come close to James Franco as Tommy. A revelation in every part of his performance, he nails everything about Tommy Wiseau. From his strange accent to his oddball laugh, it was all spot-on. He has no business making a movie of any sort, but we still root for him in the end. If we’re going to talk about Gary Oldman receiving praise for his makeup-heavy work in Darkest Hour, then James Franco also deserves Oscar consideration for Best Actor. As I said, he has a clear passion for the subject at hand, and that also shows on the technical side of things. Cinematographer Brandon Trost chooses to use a shaky, vérité-style movement around the set in between takes of The Room. In fact, several shots are on one take which gives off this feeling that we’re watching a documentary about Tommy Wiseau rather than a narrative feature. With the creative decision to have several celebrities give interviews at the beginning in a cold open, everything felt real and lived-in. And like many other films of its kind, it ends with a montage of footage and photos featuring the real-life versions of both Greg Sestero and Tommy Wiseau. While this strategy feels tacked-on most of the time, I felt like it worked here pretty well. The way that Stacey Schroeder edits the real footage together with what’s unfolding before our eyes is pretty nice. And for me, The Disaster Artist could not have come at a better time to come out. For all the scandals of abuse, harassment, corruption, cover-up, divorces, and indifference in current stories regarding the film industry, here’s a movie about a couple of goofballs who are genuinely trying to chase their dream. And seeing the tumultuous production of it progress was invigorating as they constantly butt heads on opportunities. As many of you probably know, The Room was meant to be a very gritty, Tennesse Williams style drama. And so when Tommy slowly realizes how people are actually reacting to the finished movie, it was heartbreaking to see his brainchild collapse. I felt like that was what this film captured best, even though, again, no one really knows anything about Wiseau. The Disaster Artist is a hilarious and unexpectedly heartfelt tribute to all the dreamers in the world. Some characters feel like they get left behind, and it occasionally panders to fans of The Room. Otherwise, I’m very happy with this product. In a way, Tommy Wiseau succeeded because his “masterpiece” is still shown and talked about all over the world. And he got a movie made about it.