What we have to take away from this sequel isn’t that superheroes are an overly saturated form of escapism that gradually makes human beings weaker and more vulnerable. No, what we take away is that 14 years after the original film, Brad Bird is STILL able to school young filmmakers and producers on how to make a truly playful blockbuster. This computer-animated superhero adventure marks the 20th overall feature film from Pixar Animation Studios. Released worldwide on June 15th, 2018, the film has unsurprisingly been able to swallow up over $793 million at the box office, boosted up by strong reviews and high anticipation. Following some pessimism at the summer box office, it managed to set a new record for the biggest opening weekend of all time for an animated film, finally surpassing the 3rd Ice Age film after 9 years. Once again written and directed by Brad Bird, the idea for a sequel to The Incredibles gestated with the filmmaker for many years but promised he would only make one when he felt he had a worthy story. Reportedly, he took some story thread ideas that never made it into the first installment and tried to expand on them. It wasn’t until after the premiere of 2015’s Tomorrowland that he officially committed to making the sequel a reality. When Pixar swapped the release date with Toy Story 4, he had to rush through and try and complete everything in time. Picking up immediately where the original film left off, the superpowered Parr family yet again comes under political and public scrutiny after an attempt to save the city goes awry. When all hope seems lost, they are approached by Winston and Evelyn Deavor, a brother and sister in charge of a powerful telecommunications corporation. Winston is a big fan of superheroes and offers them a chance to regain favor and legislation that would allow them to relive the “glory days.” Bob/Mr. Incredible agrees to stay at home with the kids while Elastigirl takes part in the publicity stunt, only to go head-to-head with a mysterious new villain known as the Screenslaver. This is a sequel that I have been anxiously waiting to see in theaters for over a decade now. (Just saying that makes me feel so old) The Incredibles isn’t just one of my favorite Pixar movies, but also easily in my top 5 favorite superhero films ever. And I have also really enjoyed Bird’s Ratatouille as well as his transition to live-action with the superbly directed actioner Mission: Impossible- Ghost Protocol. So imagine the surprise on my face when he FINALLY announced that a sequel to his animated masterpiece was already on the way. I felt that more so when the release date was pushed up. Even so, I tried to be cautious because, with the exception of Toy Story 3, Pixar doesn’t have a great track record with animated sequels. Thankfully, I wasn’t let down because this movie was so much fun, I loved Incredibles 2 almost as much as the first. As with last time, one of the best things about this film is that Brad Bird understands the tropes of the superhero genre so well. The world has seen a lot of change since the year 2004, not the least of which is the unbelievably lucrative genre of superhero movies. The filmmakers seem to understand that and go beyond the traditional definition of what a hero really is. It’s not just what Elastigirl is doing in public, but Bob singlehandedly trying to keep all 3 of his wildly different children in line. As the costume designer Edna puts it, “Parenting, when done properly, is a heroic act.” On the other end of the spectrum, the good public work that the family is putting proves an inspiration to other “supers.” One such moment came in the introduction of Voyd, a Kristen Stewart-like super with the ability to create portals that looks up to Elastigirl as a childhood hero. Most of the original cast members, save for Dash, return for the second go-around and haven’t lost an ounce of their touch. In a truly smart move, Holly Hunter is pushed to the forefront in a chance to shine as Elastigirl, with all the toughness of a badass and the warmth of a truly caring mother. Craig T. Nelson, in a fantastic role switch, is hilarious as he struggles with taking charge of the kids, each with their own set of challenges. Newcomers Catherine Keener and Bob Odenkirk both do great work as the Deavor siblings. Keener’s world-weary cynicism feels perfectly parallel to Odenkirk’s wide-eyed optimism for the return of superheroes. But let’s be honest: The real scene-stealer was Jack-Jack the Parr’s infant son who’s just discovering his own powers. In normal hands, these scenes with Jack-Jack and his family’s dealing with them could come off as unappealing and be pandering. But Bird, well-aware of the excitement and terrors of parenthood, explores it with wondrous possibilities and uses brilliant timing to his advantage. As one can always expect from Pixar, the behind-the-scenes technical aspects for Incredibles 2 are absolutely to die for. The thing I love most about Brad Bird’s animation is that he’s able to make it feel so cinematic and playful. The action is framed and shown almost entirely in rotoscope, allowing us to really seem like it’s a live-action film. This goes for the fantastic lighting effects, which illuminate every single scene perfectly. However, there is one particular moment with rapidly flashing strobes that could prove too much for certain viewers. And of course, the animation is absolutely gorgeous. The differences between this film and its predecessor are almost night and day, with character movements and emotions being captured so flawlessly. It also helps that the use of bright colors and tones make it a joy to look at, and one of the more visually distinctive films of the genre in recent years. Michael Giacchino returns to provide the instrumental score for this sequel, and it’s just as fun as last time. The soundtrack uses similar sounds and leitmotifs from the previous installment, such as piercing trumpet lines and jazzy saxophones. Once again, along with old-school percussion equipment, it feels like an espionage thriller from the 60’s or 70’s. New tracks include ones that rely on low strings or plucked harps, typically during moments of mystery. While not as intense as the original, it still feels right for what they went for. There are also some interesting vocal tracks recorded by Disney’s a capella group, meant to be old-fashioned theme songs for the adult heroes. Not only was this really inspired but also gave more characterization to the world that they inhabit. My main issue with the film, as I’m sure other reviewers probably pointed out, was the villain Screenslaver. As the plot progresses and we learn more about their motivations and plans, there is an element that makes sense to their logic. In fact, in some ways, they’re actually right and justified in what happens. But the way in which they were revealed felt kind of underwhelming and a lesser version of Syndrome in the first film. By the time the final showdown came, it felt as though there was an emotional connection or tension that was missing. Aside from that, Incredibles 2 is a rollicking family adventure worthy of the titular heroes. I’m genuinely surprised and pleased with how much effort Brad Bird put into making this sequel over the years. One can only imagine where a third installment could go, but hopefully, we won’t have to wait another 14 years to see it. In any case, this one was worth the wait.