**Out of respect for the fans and viewers who wish to go into this film as cold as possible, I’ll only be giving the baseline premise for everything. Read at your own discretion.**
2019, as a whole, really has been a year of ending for a lot of pop culture things. Avengers, Game of Thrones, The Good Place, Mr. Robot, Toy Story, How To Train Your Dragon all seeing their narratives come to a close. But perhaps none were quite as anticipated or high-profile as this one, so let’s dive right in.
This epic space opera was released in theaters worldwide by Disney and Lucasfilm on December 20th, 2019, having previously been scheduled for May. After making a cool $40 million from Thursday night previews, it has gone on to gross over $927.5 million worldwide against a budget of $275 million. While that’s undoubtedly impressive, it’s a dip down from the intake of its two mainline predecessors. Not to mention, it has managed to split both fans and critics down the middle on its overall quality and effect.
Directed by J.J. Abrams, the third and final installment in the sequel trilogy under Disney was originally meant to be helmed by Jurassic World director Collin Trevorrow. After he departed due to “creative differences,” Abrams came back with co-writer Chris Terrio in tow to basically start over from scratch. There was also an incident months after production wrapped where one of the actor’s scripts accidentally got put up on eBay and a studio employee spent at least 5 figures to take it back. And in addition to the main characters returning here, this film has repeatedly been stated by the cast and crew to definitively be the final installment of the Skywalker Saga.
Picking up roughly a year after the events of The Last Jedi, Daisy Ridley returns as Rey, a young woman training to become a Jedi. During her journey, she and The Resistance discover that The First Order is about to make their final move in an attempt to control the galaxy once and for all. With time running out, Rey and her friends Poe Dameron and Finn, played by Oscar Isaac and John Boyega, set out on a quest to figure out the enemy’s plan before they can enact it. And it proves difficult when the malicious and power-hungry Kylo Ren, played by Adam Driver, tries to beat them to the punch all the while coming to terms with his own sins.
Although it hasn’t always been great, overall I’ve been happy with the Star Wars content Disney has been putting out in the last decade. I still and always will maintain that The Last Jedi is the best film in the saga in many, many years and I am eager to see what they do with The Mandalorian and season 7 of The Clone Wars. And hearing repeated vows that they would finally bring the nine-film Skywalker Saga to a big close made me excited.
As the hype built towards its release, I remained cautiously optimistic about what the results would be. I had hoped that there would be enough resolution for the characters and storyline to satisfy even fans who haven’t been on-board with the newer entries. And while The Rise of Skywalker is undeniably entertaining, there is so much it leaves to be desired from a thematic and story standpoint.
I don’t envy Abrams or Terrio because of the enormity of their task, (Concluding the mainline story for the biggest movie franchise of all time) but it can’t be denied they took the easiest possible route here. While it doesn’t completely retcon the choices made in The Last Jedi, it repurposes them into something that tries to bring all nine main films into play. But by trying to bring in a big picture, which can be admittedly admirable in concept, it’s unable to find enough satisfaction with the current narrative.
Despite this, there is still a lot of emotional weight that The Rise of Skywalker carries that, admittedly, can often be affecting. The character arcs of this new trilogy have arguably been some of the most interesting in the whole franchise and seeing them come to a head, regardless of the method, is a big event. And obviously, Disney and Lucasfilm have more films coming down the pipe, but it’s nice that they committed to wrapping up this particular narrative.
Daisy Ridley proves for the third time in a row why she was perfectly cast for the lead role of Rey. She has so much emotional baggage being carried, some of it for years on end, and the pressure of trying to bring back the Jedi is clearly weighing her down. All she wants to do is bring light and goodness to the galaxy, which is difficult with the consequences of the on-going war.
Opposite her, Adam Driver still proves why he’s one of the best actors of his generation thanks to his role as Kylo Ren. Still as deeply conflicted as always, his internal struggle comes to a dramatic head as his journey nears its end. He’s equal parts desperate, powerful, and pathetic here as he still struggles to figure out what exactly he desires and what path is he to take.
John Boyega also continues to be golden as Finn, one of the more interesting side characters of the franchise. His comedic timing is still impeccable as always and while he isn’t given as much to do as the last two films, his presence is always a welcome one. Seeing him come this far after having defected from the First Order is one of the more satisfying story threads in the film to be sure.
Oscar Isaac, Kelly Marie Tran, Anthony Daniels, Domnhall Glesson, Joonas Suotamo, Mark Hamill, Billy Dee Williams, and the late great Carrie Fisher (Who appears through unused footage from the last two films) all reprise their respective iconic roles from previous installments. Keri Russell, Richard E. Grant, Dominic Monaghan, Shirley Henderson and Naomi Ackie also make impressions as new characters in this story. Everyone onscreen is reveling in the fact that they’re in a Star Wars movie.
Meanwhile, The Rise of Skywalker is nothing short of a technical marvel. Abrams’ regular cinematographer Dan Mindel handles the camerawork once again here and it’s just as energetic as their previous efforts. The widescreen camera constantly roves around the action to keep up the momentum, even in smaller dialogue-driven moments. The use of primary colors, especially red and blue, are frequently saturated to highlight the constant battle between good and evil.
Maryann Brandon and Stefan Grube’s joint editing job is mostly a success, considering they had to edit some of it on-set. At 2 hours and 21 minutes, it’s one of the longest films in the saga, but this film really *moves.* Mile-a-minute pacing is the name of the game, as the main group of characters move around from one cool-looking world to the next as the adventure moves along. All of the action is cut together very well and comprehensively, even during some of the more extravagant sequences.
For his 9th and final Star Wars movie, the inimitable John Williams returns to provide the instrumental film score. It’s almost as magical as his previous efforts in the franchise, combining themes and motifs from all of the collective soundtracks into one while coming up with a couple of new ones. The woodwinds, brass, and strings all come together in the composer’s trademark sound of an emotional epic. He also brings in an ominous choir for the villain’s main theme, which encapsulates both the mystique of Kylo Ren’s morality and the somber road he’s taken thus far. The use of percussion like timpanis and bells also deserves to be noted, making it feel truly mysterious and adventurous.
Bringing the nine-film Skywalker Saga to a close and doing whatever it takes to get there, Star Wars Episode IX: The Rise of Skywalker is an enjoyable but narratively frustrating end to a truly epic cinematic story. J.J. Abrams sets out to finish the trilogy that he started and while it’s far from being worthy of getting thrown in the trash compactor, it still shows that he’s looking too much towards the past. All of the cast members do a great job to bring their characters’ arcs to a close and Williams’ final score for the franchise is undeniably excellent, even when it’s retreading old territory.
A part of me almost admires Abrams to sticking with his gut and ending the story on his own terms, but the choices he makes along the way are often ill-advised. Regardless of what you may think of how the Star Wars saga under the Disney banner has gone, it’s hard to argue that this final chapter could have been so much more.