If playing a simple game of tag was all I had to do to stay in touch with my friends for the next few decades, I would have started playing that long ago. Probably not nearly as intensely as these guys, but still, it’d be a lot of fun. Produced on a budget of $28 million, this high-concept comedy was released on June 15th, 2018. Despite facing some tough competition from Incredibles 2, it has done surprisingly well so far by raking in over $48 million worldwide. Directed by first-timer Jeff Tomsic, previously helming episodes for the Comedy Central show Broad City, the wacky story takes its inspiration from an unbelievable article in The Wall Street Journal. The film was originally written with Jack Black and Will Ferrell in mind to star before scheduling conflicts got in the way. Having reduced the number of players from around 10 to just 5, one of the stars ended up breaking both his arms during filming; they had to be recreated with CGI. Based on an absurd true story, (No, I’m not kidding) the movie follows 5 life-long friends from the state of Washington. For the past 30 years, they have all played the same game of tag in the month of May, going to ridiculous lengths and spending enormous amounts of money to not be “it.” One of their friends Jerry, who has never been tagged, is about to retire from the game and marry at the end of the month. The remaining 4 team up to do everything in their power to try and tag him before it’s too late. I love myself a fun, broad comedy every now and again. While studio comedies in recent years have floundered, special gems like The Big Sick or, more recently, Game Night have succeeded in making me laugh my ass off while still giving an engaging story to bite down on. For this reason, I was pretty excited to see Tag in theaters. Hearing the premise of the movie, alone, was crazy enough, but the added fact of it being based on a real-life story (For the most part) gave me even more incentive to watch it. And while Tag isn’t quite on the level of other aforementioned comedies, and certainly isn’t a genre masterpiece, it can still be a pretty fun time watching. It seems weird to say, but I think that the comedic aspects of the movie might be the thing ultimately holding it back. At its core, this is a genuinely heartwarming story about a group of buddies who play tag as a way of sticking together throughout multiple decades. It’s something very special to these men, repeatedly quoting Benjamin Franklin by saying, “We don’t stop playing because we grow old; we grow old because we stop playing.” There are certainly moments that perpetuate that sentimentality throughout the movie, especially in the back half. But it feels as though more effort was put into watching these men humiliate themselves trying to tag each other. Granted, the source material does lend itself well to comedy and there were definitely more instances of me laughing pretty hard than not laughing at all. But still, it felt like that extra bit of cynicism wasn’t really needed to begin with. For what it’s worth, the 5 lead actors do a solid job and share believable chemistry enough to carry the movie through. Played by Hannibal Buress, Jon Hamm, Jake Johnston, Ed Helms, and Jeremy Renner, the men all bring unique quirks to the group. Renner is the one playing Jerry, and seeing his charm and wide smile seep through his pride is really fun, relying more on physical comedy than expected. Helms, whom I’m not typically a fan of, is definitely the heart of the group, bringing them all back together and suffering multiple injuries in a deadpan manner. The other 3, while really funny, are pretty exactly what you’d expect from the actors. Other supporting players like Isla Fisher as the hyper-competitive wife to Helms’ character, Rashida Jones as a long-lost love to Hamm and Johnston, Anabelle Wallis as a reporter for The Wall Street Journal following these friends, and Verizon’s Thomas Middleditch as the unsuspecting owner of a fitness center all provide their own funny moments that help propel the ridiculous plot. Meanwhile, similar to this year’s Game Night, the technical aspects do a nice effort to distinguish Tag from other studio comedies. Larry Blanford’s widescreen cinematography is smooth, steady, and slick, moving from one attempt at tagging Jerry to another with ease. The balanced lighting and shadows make for an intriguing suspense, as the friends could sprout up from nearly anywhere and take each other by surprise. This pairs rather well with the editing job by Josh Crockett, which is smart enough to show everything that happens just enough to keep us in stitches. The coolest aspect of the film by far is when it takes inspiration from the hyper-stylized fights in Guy Ritchie’s rendition of Sherlock Holmes. By this, I mean that certain scenes where the crew is trying to tag Jerry are undercut by Renner’s narration of what’s going to happen, followed by slow-fast-slow moves of the attempts. Normally, something like this would be distracting to me, but I found it rather engaging and different. With a capable cast, unique filmmaking techniques, and just enough substance to overcome its style, Tag is a funny, undemanding diversion of comedy. It’s nothing special or groundbreaking at all, but if you just want something sweet and funny to watch, you could certainly do worse. It’s quick, harmless, but also unambitious. And frankly, with this absurd story driving forward, it doesn’t really need to be.