I feel like I’m a little late on this one, but I’m glad I got to check it out. Because, quite frankly, I really needed this movie today. And hopefully, everyone else feels the exact same way. This family adventure film was released in the U.K. on November 10th, 2017, before hitting the United States on January 12th, 2018. It grossed over $226 million, only slightly less than its predecessor, but went on to become the highest-rated film of all time on Rotten Tomatoes. (I’m not even making that up) Following the massive success of the first film in 2015, the sequel was set up for release at the Weinstein Company. Following the sexual assault allegations against Harvey Weinstein, however, both producer David Heyman and British distributor Studio Canal looked for another American studio to handle a movie intended for children and families. Thankfully, Warner Bros. Pictures picked it up for $32 million and the film was officially saved. About a year after the previous installment, Paddington Bear, a kind-hearted anthropomorphic bear from Darkest Peru, has settled with the human Brown family in London. Approaching his Aunt Lucy’s 100th birthday, he desires to get her an old and expensive pop-up book of London. However, the book is stolen by Phoenix Buchanan, a washed-up actor, and Paddington is subsequently framed and wrongfully thrown in prison for it. Now the Browns, Paddington, and his fellow inmates must find the book and clear the bear’s name in time for Aunt Lucy’s birthday. I only watched the first Paddington movie back in December, and I loved it. It was not only one of the biggest cinematic surprises I had in a long while but I genuine regretted missing it in theaters. Even though I wasn’t entirely familiar with the late Michael Bond’s hand-drawn children’s books, it wasn’t hard at all for me to connect with the raincoat-wearing bear who loves his marmalade. Yet again, I missed the opportunity to catch the sequel in January, only getting the opportunity to finally watch it on an international plane. And, hand to God, I totally feel bad about it. Because Paddington 2 is one of the best family films I have ever seen in my life. I’m being completely serious here. And maybe a lot of that has to do with the fantastic timing of this movie’s release. Under normal circumstances, a studio movie about a talking bear acting extremely British would have been simply seen as “cute” and “fun” before being indefinitely put to the cinematic sidelines. But because the last 18 months under a new leader of the free world have made so many ordinary people feel so miserable on the daily, (This critic included) director and co-writer Paul King could not have put this out into the world at a better point in time. We needed a piece of accessible media, cinema, to remind everyone that “If you’re kind and polite, the world will be right.” Granted, they couldn’t have known all of the horrible things that would have been done or said under the Trump administration, but that’s beside the point. It acts as a superpowered antidote to actions such as Brexit and the travel ban, as well as the xenophobia that inspired both. Administering said antidote is Ben Whishaw as the voice of Paddington Bear, whose charm will immediately win viewers over. Think of him like a British version of Mr. Rogers; he’s kind, well-behaved, gives everyone compliments, and never forgets to use his manners. While the two children of the Brown family aren’t particularly memorable, Sally Hawkins and Hugh Bonneville do great work as the parents. Both have their own insecurities but are still caring and try to help guide Paddington through the real world at every turn. Peter Capaldi, Julia Walters, and Jim Broadbent all turn in fun supporting roles that give more perspective to the silly plot. But to me, the true scene-stealers are both Brendan Gleeson as Knuckles McGinty and Hugh Grant as Phoenix Buchanan, respectively. While Gleeson is a rough prison cook with a heart of gold, Grant gives arguably the best performance of his career as a selfish, washed up actor trying to respark his fame. You can tell he’s having an absolute blast hamming it up as the villain, and there’s chatter that he could break into Best Supporting Actor. That’s no joke. And from a pure filmmaking point of view, Paul King is inspired with the way he tells this story. The steady, fluid camerawork by Erik Wilson does excellent work following the ever-moving plot. In fact, some scenes are planted with unique symmetry to highlight what’s important for the moment. Combined with the vibrant and dynamic color scheme, and you’d easily be forgiven for thinking that Wes Anderson made this movie instead. It sure feels like one of his more tame, fast-paced comedies except much more family-friendly. Plus the editing by Mark Everson and Edgar Wright collaborator Jonathan Amos is frenetic but never disorienting. Each cut feels appropriately planned and some shots are even cut together to create a sort of long-take montage. It also helps that the CGI work brings Paddington to life so convincingly. Having been highly prolific yet underrated the last few years, Dario Marinelli comes in as the replacement for composing the musical score. His score is a diverse one, with several tracks that contrast each other nicely yet still retain the innocence of the tone. Case in point, the opening track, when we’re introduced to Windsor Garden, is jolly and filled with life. The composition has upbeat percussion such as xylophones and high-hats running well alongside the strings. Then, another theme is a more serene piano melody that’s calming and nice to listen to but feels less fun or jovial than other tracks. In keeping with the happy spirits of the film, the filmmakers decide to end the film creatively. While a wonderful hand-drawn animation plays over onscreen, Harry Belafonte’s song “Jump in the Line” can be heard and acts as a cute dance number. So yeah, all of that is one long way of saying that we needed this movie now more than ever. In a world where so many awful things are seen happening on the national news on a regular basis, here’s a little bubble of escapism and happiness that reminds everyone to look for the goodness in them. And somehow, it encourages us to find it. Knowing exactly what it needs to do and how to do it, Paddington 2 is a warm slice of feel-good, life-affirming cinema that all families must watch. In essence, this movie is a ginormous bear hug both for our bodies and our souls. We may not deserve it, but it’s what we all require right now, to let us know that it’s not the end of the world.