Imagine having to fight a literal interdimensional monster with only your middle-school friends by your side. Now that is pretty scary, not gonna lie. This supernatural horror movie was released in theaters by Warner Bros. and New Line Cinema on September 6th, 2019. After accumulating the second-biggest Thursday night preview earnings for a September release, (Behind its predecessor) it has gone on to gross over $457.4 million at the worldwide box office. While this is obviously enormous for a horror film, it is considered to be on a slower role than the first film. This is likely to due mixed reviews from audiences and critics, as well as the epic runtime which has curbed runtimes. Once again directed by Andy Muschietti, this sequel adapts the adult portion of Stephen King’s huge novel of the same name. Announced almost immediately after the massive success of the first film, production was stalled in order for all of the ideal cast members to be available. Muschietti has expressed interest in creating a supercut version combining both parts into one continuous film, as some unused scenes from the first were brought in for the second. It also contains a scene reportedly featuring the most amount of blood in film, with over 5,000 gallons worth of fake blood used. Picking up 27 years after the events of It, the Losers Club members have all gone their separate ways as adults. When a young man is found brutally murdered in the town of Derry, Maine, librarian Mike Hanlon, played by Isaiah Mustafa, believes the being Pennywise the Dancing Clown is behind it, despite having defeated him as children. Mike contacts his old friends- Bill, Richie, Beverly, Ben, Eddie, and Stanley -and convinces them all to return to Derry. Confronted by their own traumas of years past, the Losers band together to face Pennywise, played by Bill Skarsgård, one last time and end him for good. I was a really big fan of the first part of Stephen King’s It when it was released back in 2017. As a huge admirer of King’s enormous library of literary work, it was exciting to see one of his most famous books turned into a film that felt faithful to the source material. Plus, we’ve now seen a whole wash of different adaptations of his work in the last two years, including Gerald’s Game and the upcoming Doctor Sleep. With the talented adult cast that was assembled, there was a definite possibility for this second and final installment to be even better. And well, It: Chapter Two isn’t, but there’s still some meaty stuff to latch onto here. For a book this sprawling and massive, it is forgivable for the producers to split it into two separate movies. But the main issue here is that there is some material that probably was better left on the cutting room floor. At 2 hours and 49 minutes, it often feels like its repeating itself to pad out the runtime, especially during the second act. However, It: Chapter Two is able to redeem itself by the end, because it is a pretty satisfying wrap-up. It’s thematic ideas of lost innocence, childhood trauma, and facing a bizarre fear are part and parcel for Stephen King stories, but they’re all brought to an ambitious head here. In a world where franchises and IPs are seemingly neverending, it’s refreshing that the studio and filmmakers were committed to letting this saga be two parts and nothing more. Easily the biggest attribute to this film’s success is its cast of adult actors, all of whom commit very nicely in their roles. Played by James McAvoy, Jessica Chastain, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, and Andy Bear, they all perfectly pick up where their child counterparts left off last time. McAvoy and Chastain are clearly the leads here and their portrayals of both Bill and Beverly feel right. Like their friends, there’s clearly a lot of unresolved trauma from their younger years that they try and reckon with. Bill Skarsgård returns as Pennywise the Dancing Clown, and still has all of his swagger and terror intact. When he isn’t acting like a terryfing interdimensional being, he’s condescending the Losers or anyone else in his path for their fears. His contorted body movement and deeply unsettling clown voice are also back, and are even given more context when we learn a little bit about his potential backstory. But the real star, as you may have heard, is undoubtedly Bill Hader as the loud-mouthed Richie Tozier. Carrying all of the comedic and dramatic heft from his turn on HBO’s Barry, he is extremely convincing as a man confronting the anxieties he had as a child and are still carrying as an adult. He delivers some of the film’s funniest lines, but as we learn more about him, it’s clear he uses them as a way to shield off deep insecurities and shame. And from a technical point of view, It: Chapter Two continues the streak from the previous film, if not quite as refined. Checco Varese’s cinematography isn’t quite as atmospheric or memorable as Chung Chung-hoon, but it still captures the unique world of Derry. Big wide shots and slow tracking shots help to establish the scope of the story and try to instill a sense of dread and uncertainty in the Losers. In general, the visual palette is intentionally dull to show the dreary and unhappy state of the character’s adult lives. The color red is especially highlighted, whether it be a scene filled with blood or highlighting the red balloons signifying Pennywise’s presence. On the other hand, Jason Ballantine’s editing job somewhat reflects the convoluted nature of the film as a whole. The film often cuts back between the present day and when the Losers were still children, which hampers down the pacing and makes some scenes feel repetitive. The film tries its best to cut enough to keep tension alive in several scenes, with varying degrees of success. The cut between Steadicam shots and low-angle Dutch shots adds a feeling of paranoia and fear necessary. Benjamin Wallfisch returns to provide the instrumental score, and while it’s more of the same it’s still welcome. Several of the leitmotifs used from the first film are brought back and some of them are still quite effective. The use of flutes and piano help create a sense of twisted nostalgia as the Losers reckon with their past and present demons. Yes, some parts are classic strings building up to a big jumpscare, but that’s thankfully not all it has. Some tracks are surprisingly emotional, utilizing subtle strings and guitar riffs to recall the group’s unbreakable bond as kids now tested as grown-ups. Proving that bigger doesn’t necessarily always mean better, It: Chapter Two is a messy and rambling wrap-up made gratifying by its supreme cast. While it frequently stumbles to get to the finish line and feels heavily weighed down in the second act, Andy Muschietti still gives fans an entertaining closing chapter to this Stephen King adaptation. Getting to see all of the actors, particularly Bill Hader and James Ransone, stretch their muscles from funny to terrified to emotionally disturbed is also a treat and is easily the best thing it has going for it. It’s overlong, bloated, and often feels repetitive but compared to most studio horror sequels, it’s quite entertaining and rewarding. Sometimes, that’s all you can ask of a horror film.