After watching this movie late at night, I’m officially afraid to look at myself in the mirror anymore. Not that I was a particularly big fan of doing so to begin with. This horror thriller premiered as the opening night feature for the 2019 South By Southwest Film Festival. Following incredible buzz from those who attended, Universal Pictures released the film worldwide on March 22nd, 2019. Making over $7.4 million from Thursday previews, which far outpaced that of the director’s previous film, it has thus far grossed over $247.4 million at the global box office. Already on its way to an extremely profitable run, the film had the highest-grossing opening weekend for an original film since James Cameron’s Avatar way back in 2009. Written and directed by Jordan Peele, the film is the second of five proposed “social thrillers” he wants to make, the first of which was his debut Get Out. Disappointed by audiences’ general confusion about that particular film’s genre, he went ahead and decided to make a full, straight-up horror movie, inspired heavily by the Twilight Zone episode “Mirror Image.” The director has repeatedly stated that while it was very important for him to have black actors in the starring roles, the film is not actually about race. Lupita Nyong’o stars as Adelaide Wilson, a young woman dealing with a trauma from earlier in her life. During the summer, she goes with her husband Gabe, played by Winston Duke, and their children Zora and Jason to a family beach house in Santa Cruz. One night, they are confronted by a group of evil doppelgängers named “The Tethered.” Throughout the night, they must fight to survive the Tethered and their cruel plans while getting a closer look at who they really are. That right there is about as far as I can go with the premise before getting into spoiler territory. Much like the director’s previous effort, that description just barely scratches the surface for what’s really going on in the film. That was one of the main reasons why I loved Get Out so much back in 2017, and a huge reason why I was anticipating this movie. Ever since the project was first announced last spring, I’ve been salivating to see what movie Jordan Peele would come up with next, especially after winning Best Original Screenplay. Even if it wouldn’t be great, I would still make an effort to go see it in theaters because the director already has THAT much support from me. While it may be a completely different film from Get Out, Us is just as much of an audacious, thought-provoking, and supremely entertaining genre film from the former comedian. However, your own enjoyment of the film might have to depend on expectations. If you’re expecting another round of scathing social commentary on race relations in America, then you’ll likely be disappointed. This is indeed Jordan Peele’s first swing at a horror movie, with plenty of loving tributes and subversions sprinkled in throughout. In that sense, Get Out is arguably thematically stronger and more focused in on its issue. That being said, I would actually argue that Us is a better paced film, and it still has a lot on its mind than mere suspense and kills. It isn’t just the idea of “we are our own worst enemy,” but also how classism in modern society can help create a fear of the Other. Once you strip away a person’s social standing, or lack thereof, there’s very little that separates us from each other. Lupita Nyong’o has built an amazing repertoire over the last few years, and this performance is only the next step in her career. As Adelaide, she is paranoid and mindful of all of her surroundings, always feeling like the threat is only a few paces behind. She reunites with her Black Panther co-star Winston Duke, who strays very far away from his role as M’Baku. His performance as Gabe is one of trying to consistently prove himself as the “man” of the house, attempting to impress their wealthy friends and act intimidating when the Tethered all arrive. Shahadi Wright Joseph and Evan Alex are also worth noting as the daughter and son, Zora and Jason, respectively. Both of them forego the trope of bad child acting in horror cinema by adding endearing layers to their characters, making us truly care about their survival. Other players include Yahya Abdul-Mateen II, Anna Diop, Tim Heidecker, Elizabeth Moss, twins Cali and Noelle Sheldon, and Duke Nicholson. Of course, all of the actors also pull double duty with their Tethered counterparts, managing to be both creepy and physically imposing. Nyong’o is especially impressive as her doppelgänger “Red,” particularly during an unbroken monologue about her life story told through an unsettlingly raspy voice. Meanwhile, the technical aspects of Us show that Jordan Peele is only getting an even stronger grip on his own unique voice. For this outing, he chose Mike Gioulakis as the cinematographer, who also shot Glass and It Follows, and it really paid off. Like those other film’s there’s a certain fluidity and surreal nature to the camera in each scene. The lighting is on point, capturing the darkness in each character with subtlety and grace while making room for some impressive Steadicam moments. Nicholas Mounsour edits these moments together really well. Not once during the 1-hour and 56-minute runtime did a scene feel choppy or hard to follow. The precision and deliberate cut between each different scene or shot is extremely commendable. It often moves back and forth between two separate time periods, offering more context to what’s going on. Michael Abels returns to collaborate with the director to compose and conduct the instrumental film score, his second for a feature film. It’s an infinitely more impressive soundtrack than Get Out, utilizing numerous unconventional instruments to convey a sense of creepiness. The film’s opening credits are played alongside an unsettling anthem that mixes chanting in a nonsense language and unique percussion beats. Other tracks use either swaying or plucked strings to their advantage and never act as a device for a cheap jumpscare. The soundtrack also utilizes the hip-hop song “I Got 5 On It” by Luniz to great effect. Abels somehow managed to transform it from a fun, feel-good song into a genuinely terrifying melody. That’s no easy task, and for that alone, he deserves to be on a list of the most promising composers working today. With strong performances, evocative imagery, a fantastic score, and one of the most unique movie monsters in recent memory, Us is a marvel of originality and thought-provoking ideas wrapped in a fun horror movie. By taking lessons from his debut feature, Jordan Peele has already established himself as a filmmaker who has my undivided attention. I eagerly look forward to anything he’s working on in the future, and I hope that in the years to come, we’ll be talking about this film the same way we’ve been talking about The Shining and A Nightmare on Elm Street and all of the other horror classics.