I’ve come to the conclusion that this movie and its upcoming sequel are both more British than James Bond. And that’s saying something. This zany spy action-comedy from Kick-Ass director Mathew Vaughn held a surprise premiere at Austin’s Butt-Numb-Athon! event in December of 2014, before being released internationally on Valentine’s Day weekend of the following year. After that, it earned over $414 million worldwide against a ~$90 million, which is rather big for this kind of movie. Even though it’s based on the comic book series by Mark Millar and Dave Gibbons, the plot and characters are almost totally different than the source material. Think of it as one of those adaptations that use the original as a springboard for the opportunity to create something on their own. Taron Egerton stars as Eggsy, a troubled British youth leading a seemingly aimless life with his poor mother and abusive stepfather. One day, Colin Firth comes to his doorstep and invites him to join the Kingsman, a secret spy organization who Eggsy’s father was a member of. Following a grueling recruitment process, he joins a mission on stopping a wealthy megalomaniac, played by Samuel L. Jackson. Earlier this year, I reviewed the movie Atomic Blonde, a relatively enjoyable movie that suffered from a generic plot. And from the way that I just described the synopsis for Kingsman: The Secret Service, it sounds like it’s going to be another run-of-the-mill spy thriller that’s trying to copy James Bond, with just a dash of Men in Black. My friends, that is so far from the truth. This movie is anything but conventional for the genre. In fact, it goes so far out of its way to belittle cliches of the genre that you forget it’s trying to subvert them. There are many moments in the film where the characters specifically reference plot points from older Bond films like Thunderball and Goldfinger as comparisons for current happenings. As one person remarks, “This ain’t that kind of movie, bro.” It’s essentially the Scream of spy movies. I will say that sometimes, the film felt like it was a little too self-aware for its own good. But just the way it opens- “Money For Nothing” by the Dire Straits playing as a Middle Eastern compound is destroyed which inventively creates the title cards -lets you know that you’re watching a movie with a definite personality. As far as the performances go, this movie is filled with actors who surprisingly bring their A-game. Taron Egerton may be a newcomer, but damn if he isn’t one of the most promising ones to come along. You learn everything about his troubled past and the payoff for his training and hard work is so rewarding. Complete with a thick accent and endless charm, you’ll be rooting for him all the way through this 2 hour and 9 minute-long feature. Sofia Boutella, Michael Caine, Mark Strong, Sophie Cookson and even a cameo by Mark Hamill elevate their small characters to have a certain human quality about them. Samuel L. Jackson, meanwhile, overshadows all of them with his mere presence in each scene. His character has a weird lisp that can be kind of annoying, but the fact that he can’t stand the sight of blood makes him even more interesting and makes for some darkly comedic moments. Oscar-winner Colin Firth proves his worth as an action hero with the role of a mentor who teaches Eggsy how to be both a gentleman and a super-spy. According to IMDb, he performed approximately 80% of his own stunts, which makes him even more fun to watch. The film is also technically proficient, showcasing some excellent editing by Jon Harris and Eddie Hamilton through brutal and fast-paced action sequences. The camera work by George Richmond does fall into shaky cam at times, but to the point where you can’t tell what’s going on. The camera is constantly following whoever is the focus of the fight scene, including one particular sequence that I’ll discuss shortly. Henry Jackman and Matthew Margeson provide the musical score which perfectly accompanies the crazy scenes. They seem to take some inspiration from both Jerry Goldsmith and John Barry, with high strings and bellowing horns overtaking big set pieces. But it’s not just original music, also some real-world songs that match the tone of the moments perfectly. One of those moments, the most discussed of the entire film, is when Colin Firth goes to a version of the Westboro Baptist Church and starts uncontrollably killing everyone inside. In fact, everyone starts killing each other, all of it going down to the guitar solo of Lynyrd Skynyrd’s “Free Bird.” So, in case you had any ideas about watching this movie with your young children, keep in mind that Kingsman is very much rated R. A plethora of F-bombs and other British slang I’m not even going to explain already populated the screen, but there are also many violent sequences and a final anal sex gag that cements its homage to the James Bond franchise. For some, these moments are too over the top or off-putting to be enjoyable, and I understand that. Although its mature content will definitely not win over everyone, Kingsman: The Secret Service is an extremely fun time that never takes itself too seriously. I’m still in shock at how they were allowed to get away making this romp. I’m very much excited for the sequel, The Golden Circle, coming this September, and am generally happy that we have a new spy series to get invested in.