I don’t care what the title for it says, this is definitely a superhero movie. It may have the words “Fast and Furious” in front of it, but that’s honestly what these series has become. This science-fiction tinged buddy action movie was released in theaters worldwide by Universal Pictures on August 2nd, 2019. After snatching the biggest Thursday preview earnings for its two stars, it has gone one to gross over $758.9 million at the worldwide box office. Much of that intake has apparently come in from overseas markets, including the second-highest opening weekend in China this year. Considering that it’s not even a mainline entry in its franchise, that’s a particularly impressive feat. Directed by David Leitch, the film was formally announced a few months after the release of Fate of the Furious, which caused the planned ninth installment to be pushed back. This caused tension with one of the franchise’s mainstay actors Tyrese Gibson, who took to Instagram to publicly complain about it all. In addition, longtime producer Neal H. Moritz sued the studio for breech of oral contract after being removed from the film’s credits. It was subsequently announced that he would no longer have any involvement with the franchise going forward. Dwayne Johnson and Jason Statham both star as Luke Hobbs and Deckard Shaw, a retired D.S.S. agent and former mercenary, respectively. They are both brought on by the C.I.A. to find and take down Brixton Lore, played by Idris Elba, a cyber-genetically enhanced terrorist working for a tech cult known as Etreon. Things are further complicated when Shaw’s MI6 agent sister Hattie, played by Vanessa Kirby is framed for stealing a deadly virus that Lore is after called Snowflake. This sparks a globe-trotting showdown for Hobbs and Shaw to find a way to get rid of the virus safely, bring down Lore and his constituents, and clear their names. I won’t hesitate to admit that I only have a general familiarity with the Fast and Furious series. Before this movie, I had only watched the first two films, plus Fast Five, all the way through, just to have some idea of what this one would be like. Each one somehow managed to be more ridiculous than the last, which I suppose was part of the reason why it’s become so popular among audiences. Since they moved away from the main storyline, I figured I could jump headfirst into this spinoff without having to play catchup too much. And I’ve enjoyed David Leitch’s action work on John Wick and Deadpool 2, so seeing him directing two of the biggest action stars seemed rather enticing. And make no mistake, Hobbs and Shaw is not a masterpiece of any kind and barely feels cohesive at times, but is nonetheless entertaining and diverting. Sometimes, I go into a film hoping to be awestruck by its thematic resonance, wonderful storytelling, and acting. Other times, I go in wanting to see The Rock lassoing a helicopter with a pickup truck’s chain while on a cliffside chase. In no logical world can you allow that to pass by and still complain about the age gap between Deckard and Hattie, so suspending disbelief is pretty much mandatory here. One big bummer is that Hobbs and Shaw could have probably still worked just as well on its own without the Fast and Furious name slapped onto it. Its stars are both likable enough on their own terms to warrant a completely new IP, and this just felt like an attempt at brand recognition. But again, there’s only so much to complain about when looking at the movie as a whole. Dwayne “The Rock” Johnson and Jason Statham have been seemingly building up to starring opposite each other for a while now. If for nothing else, their chemistry and constant bickering are what help carry the film through its bloated runtime. Johnson brings all of the muscle and testosterone typically required of his characters and gets to fire off some pretty decent one-liners. Statham, meanwhile, is his usual rugged and agile self, always confident in his next move and never sheds the opportunity to be hard on his new partner. Idris Elba once again plays the role of the villain here as Brixton Lore, as silly of an antagonist as you’d expect. He totally hams the role up, and brings a certain charm to this cyberpunk bad guy who loves big ambitions and bigger flamethrowers. You can tell he’s having an absolute blast with the character, always confident in his abilities and even gloats to the heroes “I’m black Superman!” Mission: Impossible- Fallout and The Crown alum Vanessa Kirby also shouldn’t be overlooked as Hattie, Shaw’s younger sister. She has many moments throughout where she just unleashes a flurry of attacks on unsuspecting bad guys, proving she’s in desperate need of her own franchise to lead. She proves she can more than hold her own than the established action stars at the forefront of the picture and even has some surprising moments of drama. The supporting cast is filled with the likes of Helen Mirren, Eiza González, Eddie Marsan, Cliff Curtis, and Rob Delaney in various roles. Each one feels like they’re filling archetypes rather than actual characters, but seem to be having fun with their roles. There are also a couple of unexpected appearances that are best left unspoiled here, but which mostly feel satisfying. And from a technical perspective, Hobbs and Shaw has enough flourish to match its silliness and large-scale action set pieces. Leitch’s collaborator Jonathan Sela once again handles the cinematography with varying degrees of success. While the frame sometimes seems digitally washed out in colors, it always keeps the action in focus and follows each blow with precision. The camera frequently has some great movements, such as swoops across the battlefield, as Leitch’s superb blocking skills come to light. This meets with the editing job by Christopher Rouse, a veteran of action films such as The Bourne Ultimatum. Like Leitch’s other work, there are no rapid cuts between numerous shots in various set pieces. This is a breath of fresh air in the action genre and is able to keep things interesting during these scenes. The edits are able to capture exactly what it needs to, as highlighted by a creative split-screen intro for the main duo. Although they’re in vastly different places, we get to see how they both operate in their worlds on a daily basis. That being said, it definitely could’ve been trimmed down. I can’t think of any logical reason why this movie runs at 2 hours and 16 minutes, and it just feels like it keeps going on and on. At least a half hour could be shaved right off without a single narrative beat missed and no would be the wiser. Nothing earth-shattering or even very memorable, Fast and Furious Presents: Hobbs and Shaw is a bloated, indulgent but undemanding romp worth at least one ride. David Leitch once again shows his tenacity for behind the scenes magic, but the story and characters still feel secondary. Dwayne Johnson and Jason Statham prove why they’re deserving of more movies starring opposite one another and Vanessa Kirby gets even more of an opportunity to shine as a star. This is just not a movie that should have the “Fast and Furious” brand slapped onto it. I’m reminded of something Hobbs says early on: “I’m what you call a nice, cold can of whoop-ass.” That’s what this film ultimately is: fun, nice to watch, and harmless, but sterile and unambitious.