Category Archives: Trailers

“The Prestige” Movie Review

Thought it would make sense to review some of Christopher Nolan’s best films in preparation for Dunkirk this July. I’ve already done Interstellar, though, I’m tempted to do an update. You can expect the Dark Knight Trilogy to show up soon, as well as Inception, but let’s begin with one of his more overlooked projects. This magic-based mystery thriller was able to triple its $40 million budget after its premiere October of 2006. Released just after Batman Begins, it also marks a rare time when Nolan adapted a pre-existing material, as it was based on the novel by Christopher Priest. Set in 1890’s London, the incredibly complex story follows two magicians, Robert Angier and Alfred Borden, who compete with each other to create the greatest stage illusion imaginable. Their game of one-upmanship turns into a series of tragedies. Of course, this being a film by Christopher Nolan, the PG-13 rated plot is much more involved and layered than that, and some really mind-bending stuff happens. Hugh Jackman is the real star of this film as Robert Angier, with all the charisma and showmanship that most real-life magicians lack. The things that happen to him are very sad and damaging. And as he goes down the path of competition, he begins to lose sight of what got him on that path to start. Continuing their relationship with the director, Michael Caine and Christian Bale are fabulous in their roles. Unlike many of his other films, Bale is actually allowed to retain his British accent, which added more heft to his emotional punch. Caine, meanwhile, plays a disconnected mentor who essentially works as a mediator between the two magicians. His wisdom is reminiscent of Alfred Pennyworth from the Dark Knight Trilogy, as he seems to be the one person who wants both of these men to settle their feud. The strong supporting cast includes Scarlett Johannson, Piper Perabo, Rebecca Hall, Ricky Jay, a rare live-action stint from Andy Serkis, and the late musician David Bowie. Bowie is particularly enigmatic as a man with many secrets on how to make a show even more dazzling than it already is. But he doesn’t use magic, he uses science. To go any further into any of these actors’ characters would spoil the plot. One of the things Nolan is known for is how all of his films are not what they initially appear to be. For example, his first directorial outing Following looked like a cheap student film, (And it kind of was) but turned out to be a focused and engaging mystery thriller. With The Prestige, he crafts a compelling narrative out of a subject that shouldn’t be that interesting; stage magicians. Through his trademark storytelling techniques, the story doesn’t initially progress in chronological order and jumps around in time. This makes the film even more intriguing and keeps the audience guessing from start to finish. Another trademark of Nolan’s is how practical and technically brilliant his films are. The production and costume designs are all top-notch and help it feel like a gritty and lived-in 1890’s London. When Borden or Angiers are on-stage, it feels as if we are actually watching a magic show unfold before our eyes. And the visuals are nice as well. In one scene, Angiers is standing in the middle of a snowy ridge when all of a sudden, these fluorescent lights come out. It added more beauty, atmosphere, and mystique to the 130 minute-long picture, topped by Wally Pfister’s surreal camera work. As pretty much the last film before Nolan’s long-term collaboration with Hans Zimmer, the musical score in The Prestige is provided by David Julyan. It is often consisting of eery synthesizers building up in a crescendo, punctuated by a shocking set of strings in revealing moments. And there are many. Holy mother of God, there are revealing moments. Like a traditional magic show, the film is broken up into three intertwined acts. The first two are impressive feats of visual flair and emotionally engaging performances. But in the final act, a jaw-dropping plot twist is thrown in to pull the rug from underneath the audience in a way that is both shocking and brilliantly believable. Were you watching closely? I was, and it worked. Without giving away anything, the twist also brought to light the philosophical themes hidden just beneath the crust. Because these two characters are neck-and-neck, they often give in to their inner ambitions and obsession. That obession to become the greatest at their profession leads to many bad outcomes and ultimately makes them less humane. To put it in the words of David Bowie’s character, “You’re familiar with the phrase ‘man’s reach exceeds his grasp?’ It’s a lie; man’s grasp exceeds his nerve.” If you love the type of movies that make you think about the story and maybe even tempt you to watch it again to make sure you didn’t miss anything, you need not look any further than The Prestige. It blends seamless production and technical merits and fantastic performance with breathtaking precision. This is a very underrated piece of humanistic filmmaking that deserves all the recognition as Christopher Nolan’s other endeavors have endured.

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“Star Wars Episode VIII: The Last Jedi” Trailer Analysis and Speculation

*Disclaimer: The following post contains huge spoilers from the events of Star Wars Episode VII: The Force Awakens. If you have not yet seen the movie… stick around cause you need this.

Happy Easter weekend to all of you. Speaking of the Resurrection of Jesus Christ, we now have our first official teaser trailer for Star Wars Episode VIII: The Last Jedi. This is actually what consider to be a late reaction. I’ve watched the trailer roughly 88 times, and after carefully looking at each frame, I’m ready to give my thoughts. It begins with what we initially believe to be the stars of the galaxy before the frame fades into a rock. We then see Rey falls down onto it, breathless with something she has just witnessed. My guess is that she has just experienced a Force vision that Luke Skywalker has given to her as part of her training. In fact, much of this trailer is spent showing some of Rey’s time on the mysterious planet of Ach-To, training with the self-exiled Jedi. One shot shows her approaching a shelf of old books at the center of an old tree. This makes me think that she will not only be learning the ways of The Force, but also its history and how the Jedi and the Sith have been fighting for eons over the same cause. When it isn’t, it cuts over to quick cuts of the Resistance trying to hold its own against the might of the First Order. Seriously, we see what looks to be a fighter hanger get destroyed and the Resistance fleet is under an intense space combat scenario. That’s actually something I’m looking forward to most because it’s been a long while since we’ve seen a real space battle in the Saga films. And now, with improvements in technology and visual effects, I’m eager to see it all unfold. The thing I’m looking forward to the most, however, is how different of a movie this will be from the others. As much as I loved The Force Awakens, it’s impossible for me to deny how similar it was to A New Hope in terms of the plot and character development. Well, writer-director Rian Johnson has repeatedly professed that The Last Jedi will try to distinguish itself as much as it can from the other entries in the franchise. And of course, the trailer is filled with an epic montage of awesome, with zero context given for any of it. Why, you might ask? To keep the plot in the dark, obviously. The people in charge of marketing these films bend over backwards to ensure that the movies remain shrouded in secrecy and that absolutely nothing about the plot is revealed until the release this December. But that doesn’t stop us fans from scrutinizing every single frame of the trailer(s) while we still can. In this montage, Finn is shown to be asleep in a ship during hyperspace. I’m very curious to see what the Resistance plans to do with him in this film, as John Boyega has been very mum on information regarding his character’s new arc. Still, considering that this film begins immediately after The Force Awakens ended, it wouldn’t be surprising that he’s still recovering from his battle wounds with Kylo Ren. Speaking of Kylo Ren, who else saw that shot of his helmet completely destroyed on the ground? And later we see a tiny glimpse of him pointing his jagged crossguard lightsaber at someone. Something tells me that not only are we getting a new costume from him, but also more internal conflict. Because if you saw the previously film, you’ll remember that he was both literally scarred in battle and torn between his allegiance to The Force. But the real star of this teaser trailer is the star of the original Star Wars trilogy, Luke Skywalker. I was one of the only people who felt satisfied by his 30-second cameo at the end of The Force Awakens, and now it’s established that he’ll be taking center stage. His voice-over is heard throughout the 90 second-long teaser, mostly telling Rey how to prepare for her training of the ways of The Force. But then it takes 180 turn when he mysteriously announces, “I know only one truth. It’s time for the Jedi to end.” Which is something I’ve been thinking about for a while now. Most of the Force users in the galaxy are dead now, and the ones that aren’t are nearly spent on their energy. Maybe by the time that Episode IX ends, every Force user from both the Light Side and the Dark Side will die and there will be no more religion or space magic. Just the age of technology. Some ask me why I do this, and I have answer for you: Because it’s fun to theorize! That’s the purpose of the Internet: Criticism, speculation, and entertainment- sometimes all wrapped into one package. I can’t wait to see how The Last Jedi unfolds when it hits theaters on December 15th. Have you seen the teaser trailer? What are your thoughts on it and your theories?” This is definitely a trailer worth talking about. Put your thoughts in the Comments, and if you want more cool content like this, be sure to Like and Follow my Blog.

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“Logan” Trailer Analysis and Speculation

Does it seem a bit late and irrelevant? Absolutely not. Even though it was released 3 weeks ago, the first official trailer for Logan is still getting people excited, and for good reason. After watching the 107 second-long trailer for 20th Century Fox’s Logan nearly a hundred times, I’m ready to give my opinion. It begins with Patrick Stewart as Charles Xavier and Hugh Jackman as the Wolverine conversing about how the world is not the same as it was, and most of the mutants, including the Xmen, are gone now. This makes me question what exactly made that happen. Most likely, it could be a deadly pathogen that the Essex Corporation released. But it also appears that the film will at least be partially based on Mark Millar’s Old Man Logan. And in it, Wolverine is manipulated by a supervillain to kill the entire team, which causes him to goes into self-imposed exile. Exactly how close the movie will stay to the comics is still a mystery, but given the fact that it’s rated R, that would be a bold move on the part of the filmmakers. But you can tell that both Xavier and Wolverine are the people that they once were. They both look old, scarred, (both literally and mentally) and haunted by years of withering and loneliness. But there’s this little girl that they find and you hear Charles Xavier say, “She’s like you, Logan. Very much like you.” That more or less confirms that Dafne Keen is playing X-23. I had read somewhere that no matter who they would recast as younger Wolverine, the one character that can truly replace him would be his cloned daughter, X-23. Other than that, this trailer… it doesn’t make Logan feel or look like a comic book superhero movie. There are no CGI explosions, no bits of random humor, no over-the-top villains who look like a physical version of God. With its desolate setting and harsh, bleak tone, Logan seems to have the makings of a neo-western tragedy. All of this is amplified by the choice of the trailer song. Johnny Cash’s cover of the Nine Inch Nails song, “Hurt,” perfectly establishes the mood of the film. The director James Mangold also helmed the Johnny Cash biopic, Walk The Line, and spoke that the origins of this cover are similar to the story of Wolverine. It was so popular that many YouTubers began a succession of cutting together different blockbuster movies, including Mad Max: Fury Road and Lord of the Rings, in the same style as this trailer. Granted, you could take the worst movie ever made, cut it together with a good song, and it can still look good. But I’m getting ahead of myself. The international trailer is slightly more graphic in violence with one money shot. I’m just saying; one scene makes all the difference. And can we just address the fact that this feels like a movie adaptation for The Last of Us? Seriously, that last shot of Laura and Wolverine holding hands and standing over what appears to be a grave reminded so much of Joel and Ellie. In that, this could be the best movie version of The Last of Us that we’re probably ever going to get. In short, the first official trailer for Logan is one of the best movie trailers I have seen in a long time. If the movie delivers on the tone and quality that it shows us in the trailer, Hugh Jackman will get the sendoff he deserves, and I will cry when I leave the theatre because his time as the Wolverine will be over. Let me know what you think of the trailer in the comments, or what other crazy theories you may have about Logan. Be sure Like this post and if you want to see more, Follow my blog for more awesome content.