Almost everyone who celebrates Christmas has some unique family traditions they try to bring back every year. And if yours are anything like the shenanigans in this film, then you’re truly living a big life. This slapstick Christmas comedy was originally released in theater by Warner Bros. on December 1st, 1989. After coming in second its opening weekend, it went on to gross over $71.4 million at the worldwide box office. Against a budget of roughly $25 million, this made it the highest-grossing film in the Vacation franchise for about 25 years. Although it received mixed reviews during its initial run, it is now considered a modern Christmas classi among many film fans, this one included. Directed by Jeremiah S. Chechik, the screenplay by John Hughes was originally written as a short story called “Christmas ’59” published in the National Lampoon magazine. He only agreed to do it for the studio because of the quality of the story and left the series for good afterwards. Harry Potter and the Philosopher’s Stone director Chris Columbus was originally set at the helm before leaving after clashing with its main star consistently. Columbus and Hughes would later try and work together again on the future holiday classic Home Alone. Chevy Chase stars as Clark Griswold, the energetic and enthusiastic patriarch of the oddball Griswold family. As the winter season progresses, he sets out to try and give his family the best Christmas of all time by any means necessary. As more members of his extended family arrive, more and more absurd problems arise as Clark attempts to save old traditions. Just like It’s a Wonderful Life, I wanted to go ahead and close out my New Year’s Resolution with a pair of Christmas films that are considered classics. Sure, there’s a whole lot of cheese in places like Hallmark and Lifetime, but there are plenty of films that take the genre in great ways. And it’s nice to have a traditional rewatch every season, whether it’s a real decades-old classic or a recent gem. I decided to go ahead and look back on a film that’s renowned but not usually discussed in the pantheon along others like Miracle on 34th Street. My feelings on National Lampoon as a whole are kind of mixed, but their Vacation franchise provides some big laughs every now and then. And after all these years, Christmas Vacation still proves to be the best of them and a genuinely fun holiday regular. If you’re hoping for a strong narrative in your yuletide films, you’ll be disappointed because the plot and setup here are extremely simplistic. But that ultimately works to its advantage because it allows breathing room both for the hilarious jokes and the more heartwarming moments. It’s primary theme of trying to find what it means for a truly great Christmas season is really resonant and universal for audiences, no matter how dysfunctional your family may be. The one issue that keeps Christmas Vacation from being a complete classic for me is an unnecessary fantasy pool scene. It comes at around the beginning of the third act and just doesn’t fit in with the rest of the film before or after. But if you can ignore that one scene, (I’ve begun just fast-forwarding through it on each rewatch) the rest of the film is pretty fun across multiple demographics. Although most people associate him with Community and his days on Saturday Night Live, Chevy Chase was really at the top of his game here. As Clark Griswold, he’s extremely energetic and enthusiastic about bringing all of his family’s traditions into the fold this year. He tries to bottle up his frustration with failures and work but finally lets it all out in one of the best and funniest tirades in cinematic history. By his side, Beverly D’Angelo is amazing and endlessly funny as his confused and deadpan wife Ellen. She plays it more like the straight-laced partner who acts completely rational compared to her husband’s wild behavior. Juliette Lewis and Johnny Galicki play the Griswolds’ daughter and son, respectively, which continues the gag of their children always changing actors. They’re both earnest in their desire to make Christmas great but are constantly unsure about their father’s unorthodox methods to get to it. In a way, they act more as an audience surrogate as we witness the bizarre and absurd take hold in their household in gradual fashion. John Randolph, Randy Quaid, Diane Ladd, William Hickey, and Mae Questel round out the memorable members of the Griswold family while Sam McMurray, Julia Louis-Dreyfus, Nicholas Guest, and Brian Doyle-Murray play some of their various acquaintances. With the exception of Quaid and Louis-Dreyfus, not many of the supporting cast really stand out or leave a huge impression. None of them really have big character arcs but they provide some decent laughs and contribute to the overall package. And from a technical point-of-view, Christmas Vacation has just enough flare to distinguish itself from other comedies of the decade. Thomas E. Ackerman’s cinematography here is, by and large, straightforward and pretentious. There aren’t really any clever movements, aside from a dramatic push-in on Clark when the house lights finally come on. It mostly places the camera in one or two different static positions during a scene and finds a way to make the humor more visually satisfying and timed well. The main colors associated with the holiday- blue, red, white, and green -are often seen throughout in many different ways and the frame captures them pretty decently. It’s really the editing, which is a joint effort from Jerry Greenberg and Michael A. Stevenson, that brings out the personality. The film often cuts between something really obscene with something more warmhearted for the holiday season, creating a very funny dichotomy. Each scene is nicely cut together to a tea and knows what to focus on for the specific moment. It also makes a wise decision of when to include a pause or when to cut away to the punchline. The aforementioned tirade is mostly shown in a long take of Clark in his living room and he kicks the furniture around him and gathers his breath. The fact that the camera doesn’t cut away during this moment makes it very hard not to break out in laughter as he pours out his true feelings for the first time. National Lampoon’s Christmas Vacation is a jolly good time with some really timeless jokes and heart. Excluding that unnecessary pool scene, Jeremiah S. Chechik and John Hughes have crafted a really nice classic in the already crowded pantheon of Christmas movies. Your mileage for the film as a whole may vary, but it’s Chevy Chase’s inimitably hilarious turn as Clark Griswold that makes it worth rewatching time and again. A fantastic way to close out the 1980’s, this comedy is sure to bring plenty of yuletide joy and laughter to the family.