I’m not even lying when I tell you guys that The Pale Lady and The Jangly Man made me piss myself out of fear. And before anyone judges, I’m almost positive that everyone else in the theater had the exact same reaction as me. This youth-centered supernatural horror film was released in theaters worldwide by Lionsgate and CBS Films on August 9th, 2019. It has fare very well at the international box office, grossing over $93.5 million against a budget of roughly $23 million. Although it never attained the tope spot and didn’t even finish first its opening weekend, it still managed to attain relative success. It’s believed that much of its intake was due to decent word-of-mouth and nostalgia for the source material. Directed by André Øvredal, the film is based on the horror short story collection of the same name by Alvin Schwartz. The adaptation had long been a passion project of Guillermo del Toro, who also served as producer and story co-writer on the final product. Although there were virtually no connections between any of the stories in the original collection, the film ties all of them into the same narrative without using an anthological format. Set in 1968, the film follows a group of teenage outcast friends in a small rural Pennsylvania town. Led by amateur horror author Stella Nicholls, played by Zoe Colletti, on Halloween night the gang discovers an old book in a supposedly haunted mansion. They soon realize that the book writes horrific short stories about people that they know, which then come to life almost immediately. With their peers getting picked off one by one and the adults not willing to believe them, the group race to figure out the origins of the book and how to stop it. I can’t say I ever read Alvin Schwarz’s anthology books growing up or had too much familiarity with them. I only really became interested in this adaptation when I heard that Guillermo del Toro was instrumental in production. Not to mention, it’s always exciting to see a film of the genre focus more heavily on practical effects and makeup over CGI nonsense. The marketing campaign really played this one up as a sort of Goosebumps for teenagers, which I have some fond memories of. It’s PG-13 rating was encouraging that it was going to have a wider appeal but still have something in store for older viewers. And while Scary Stories to Tell in the Dark definitely has some stumbles in the road, it’s still worth a look. On the whole, there isn’t anything particularly wrong with wanting to make a horror film that’s geared for a younger audience. It’s a fun and overall harmless way to get them into the genre without having to necessarily traumatize their childhood. And as an added bonus, parents will also likely get a kick out of it with its atmosphere and generally toned down scares. This also happens to be Scary Stories‘ biggest flaw in that it often relegates itself to numerous horror clichés. Screenwriters Dan and Kevin Hageman seem interested in exploring the lore behind the book at the center of the plot, but also include far more jump-scares than is probably necessary. But again, that’s kind of par for the course in getting new viewers into the genre, and mostly redeems that with some pretty unsettling imagery throughout. In a genre notorious for bad child performances, the troupe of young lead actors here proves to hold their own quite well. They’re led by newcomer Zoe Colletti, who shows that she’s a capable lead in a genre film even at her young age. Like many of del Toro’s other films, there’s an enormous amount of empathy for her status as an outsider, as she’s dealing with an internal trauma that’s never been resolved or even addressed before now. Michael Garza also puts in some decent work as Ramón Morales, the second-in-command for the main group of friends. Although he’s new to town and harbors some mystery, he immediately becomes worth caring about as he puts his full foot forward to protect his newfound friends. Austin Abrams is also worth noting as Tommy Milner, the high school jock and frequent bully to the main group. His performance and attitude are reminiscent of bullies in several Stephen King stories, and while he may go a little too far in some scenes, it’s perfect for getting audiences to despise him. Gabriel Rush, Austin Zajur, and Natalie Ganzhorn round out the primary group of child friends while Dean Norris, Lorraine Toussaint, and Gill Bellows play some of the adults practically oblivious to the horrors their children are facing. Each one contributes something to the package, even if some of their characters are stuck in typical horror film archetypes. From a technical point of view, Scary Stories to Tell in the Dark tries to distinguish itself from other films in the genre. Returning from their collaboration on The Autopsy of Jane Doe, the cinematography by Roman Osin has a sleek color palette throughout. The steady movements and angles make subtle callbacks to old-school Amblin features without dipping completely in nostalgia. Although much of the film takes place at night, it’s never too dark to tell what’s going on and keeps some of its best scares in the shadows. It makes excellent use of primary colors, particularly red, which at one point fills the screen as a character is faced with a terrifying monster. The editing job by Patrick Larsgaard, meanwhile, can be a bit of a mixed bag. While it’s mostly able to move between different shots and scenes fairly well, every now and then it feels like its waiting for the next jumpscare. There’s surprisingly a lot of room in some shots for the young actors to breathe and the camera usually cuts away to something vital to the plot. It works best when the stories themselves are being rad aloud while juxtaposing their actual coming to life. The biggest asset this film has going for it by far is its surprisingly heavy reliance on practical effects and makeup over CGI. This lends well to adding a sort of physicality and believability to the monsters the main children have to face. It also helps that the designs for these creatures, from Harold the scarecrow to the Jangly Man, are absolutely unsettling. It’s too rare in horror movies today, and it’s nice to see them in play here. Scary Stories to Tell in the Dark is a fine and diverting entry-level horror film for burgeoning genre fans. Although it certainly leaves much to be desired, André Øvredal still manages to carve out the rare scary flick that can appeal to old and young audiences alike with surprising finesse. Ultimately, it’s Guillermo del Toro’s distinctive touch that makes this film work as well as it does.