You know how I can tell this franchise is a satire of the James Bond series? The followup is even more ridiculous and weird than last time. This darkly comedic spy action film was released on September 22nd, 2017, earning back almost its entire $100 million budget in the opening weekend alone. Dethroning IT for the top spot of the box office, this pretty much guarantees’s 2017 to be the biggest September of all time. Following the surprise success of The Secret Service, former Kick-Ass director Matthew Vaughn signed on to return to the helm again, a first for his career. And according to him, writing the screenplay with Jane Goldman was the hardest thing he had ever done. Roughly a year after the events of the first installment, Eggsy Unwin has firmly set into the titular espionage organization. A new drug organization called the Golden Circle led by Poppy Adams, played by Julianne Moore, systematically wipes out all of the Kingsman around the U.K. The only two survivors, Eggsy and Merlin, then travel to America to join their cousins, the Statesman. With their help, they plan to save the world from the drugs and avenge their fallen brethren. Kingsman: The Secret Service was a massive surprise on almost all accounts when it was released back in 2015. I loved almost everything about it: the action sequences, the cast, the dark humor, the wacky story. And admittedly, I am very skeptical about sequels, but I’ll always give them a chance. Since the film basically has nothing to do with the Mark Millar comic book of the same name, it would be especially interesting to see where this series would go. And while this followup is undeniably entertaining and over-the-top… it seems that this franchise has already run out of ideas. Many critics have complained about the film’s ridiculous and seemingly offensive nature. I would like to remind everyone that the first film featured a massacre inside the Westboro Baptist Church while the guitar solo of “Freebird” was playing. So if I were to go in expecting a challenging film from a serious filmmaker, then I would automatically be disappointed. But perhaps it’s because the first one was so shocking in its boundary-pushing attitude that we are less surprised when it happens. Its cynicism is actually quite apparent in its attempt to provide a satirical commentary on the War on Drugs. And while the female characters are relegated to the sidelines as villains or love interests, I wouldn’t go so far as to call it offensive. Easily the best thing holding this sequel together is Taron Egerton, who has grown comfortable as Eggsy. His foul mouth and sly wit make him extremely likable and worth rooting for against any bad guy that he faces. Mark Strong, meanwhile, gets a chance to show us more of Merlin after being a supporting player last time. Despite always getting typecast as a villain, he has a surprisingly effective sense of humor and his Scottish accent made his enunciation of certain phrases particularly chuckle-worthy. Colin Firth (Whose mere appearance in the trailers should warrant me talking about him, spoiler hounds) returns as Harry/Galahad and still retains the qualities of an unconventional father figure. At first he seemed like useless fan service, but he is later worked into the plot in a satisfyingish way. The way you can tell this film is bigger is because of how many big names have a role, large or small. Julianne Moore is one of the best actresses working today, and she’s not afraid to embrace her character’s quirkiness. You can tell she’s having a blast as the antagonist, especially since she parodies the cliches of a Bond villain. Elton John makes a three-scene cameo as a caricature of himself. He is rather hilarious and knows exactly how to make the audience laugh. The Statesman consist of Channing Tatum, Halle Berry, Pedro Pascal, and Jeff Bridges as yet another heightened version of the actor we know and love. But honestly, I couldn’t really bring myself to care about them for they were so underdeveloped and speedily introduced. The whole technical behind-the-scenes crew returns for the second time around and it really shows. From the orchestral score by Henry Jackman and Matthew Margeson to the incredible camerawork by George Richmond, Vaughn is able to keep his distinct personality in check at every frame. And while there was no real “church scene” this time, there was one battle near the end that seemed reminiscent of it as it was all captured (or edited and manipulated to look like) one shot. But the thing weighing The Golden Circle down is the absurd amount of new content shoved into the plot. As I’ve been critical with other films this year, the movie feels the need to put in more and more tidbits about the world that could be explored in a later installment. While some of that is interesting to see, and I do want to see more of it, there’s so much that is going on that it’s hard to stay attached to it all at the same time. It clocks in at just over 2 hours and 20 minutes long. It often feels as if at least 30 minutes were left on the cutting room floor. Studios- Make a good movie first, plan a franchise later. Even so, I didn’t completely hate it. Kingsman: The Golden Circle is an overbloated and cumbersome sequel that still elicits some genuine enjoyment. Who knows, by tomorrow, I might not think anything of it anymore, but for now, it’s some passable fun. Without Egerton, Strong, Firth, or Moore, this movie would have sunk into the valley of forgettable corporate practice, but they make it more heartened. There is potential for this series in the future, and I want to see where they go. Just a little more restrained.